Library displays
We use a display space in the library to show highlights from our collection, including small scale sculpture, works on paper, rare books and archival material.
Upcoming display
Showcasing our rich collection of material relating to the Dada and Surrealism movements.
Previous library displays
Collections in Conversation: Westminster Abbey’s Monuments in the Henry Moore Institute Library
12 July – 28 September 2024
Sculpture Research Library
This display examines the monumental sculpture of Westminster Abbey.
Lines and Lives: Some Poetic Inventions of Modernism
24 July – 17 November 2023
Sculpture Research Library
This display takes the Archive of Anton Lesseman as a starting point to reveal the oppositions and harmonies of the Modernist movement.
A Site for Sculpture: Building the Institute
3 April – 7 July 2023
Sculpture Research Library
As the Henry Moore Institute turns 30, this display in the Sculpture Research Library looks back at the history of the building.
Herbert Read: A Gentle Radical
17 November 2022 – 17 March 2023
Sculpture Research Library
This display illustrates the expanse of Herbert Read’s support for the arts, his championing of modern art and artists as revolutionary, and the central role he believed art should play within education and society.
The Show Must Go On: Exhibiting Sculpture by Women in Twentieth-Century Britain
9 April – 23 September 2022
Sculpture Research Library
This library display looks at the histories of exhibiting sculpture by women in Britain, focusing on galleries, societies and exhibitions that supported the display of women’s sculptural practices.
Art and Letters: ‘Little Magazines’ in the Early Twentieth Century
22 November 2021 – 20 March 2022
Sculpture Research Library
Art and Letters explores the intersection of literature and the visual arts in magazine and journal culture during the first half of the twentieth century.
The Expanded Page: Sculptural Books from the Research Library Collection
7 June – 29 August 2021
Sculpture Research Library
The exhibition Portable Sculpture prompted the Library to unpack some of the boxed and folded items in its Special Collections. The book-objects on display explore how a fold can change a flat piece of paper into a free-standing sculptural form.
Henry Moore at Leeds School of Art: student notebooks from the Archive
13 October – 18 December 2020
Sculpture Research Library
We’ve linked up with Leeds Arts University to celebrate 100 years since Henry Moore started studying sculpture in Leeds. This display features Henry Moore’s student notebooks and archive images from his time at art school.
David Nash in Poland: Documents from the Archive of Sculptors’ Papers
24 February – 9 October 2020
Sculpture Research Library
In the summer of 1991, David Nash travelled to Poland to make sculpture for an exhibition at Ujazdowski Castle in Warsaw. This display looks closely at the project, with photos of works in progress, pages from Nash’s diary, and his sketchbook all presented together.
Ideal Standard Forms: The Influence of Classicism on Modern and Contemporary Sculptors’ Drawings
15 November 2019 – 16 February 2020
Sculpture Research Library
This display looks at sculptors who continue to turn to the objects, subjects and conceptual threads of classicism in their work, including Ian Hamilton Finlay, Keir Smith, Simon Starling, Gavin Turk, Rose Garrard and Eduardo Paolozzi.
Yorkshire Sculpture International: Sean Lynch
22 June – 29 September 2019
Sculpture Research Library
Sean Lynch reveals unwritten stories and forgotten histories, and in this exhibition delves into the life and work of ‘Flint Jack’, a notorious nineteenth-century antiquarian, forger and vagabond.
First: A Magazine by Sculpture Students, 1960-1961
20 September 2018 – 3 March 2019
Sculpture Research Library
First was published in the early 1960s by students and lecturers on the Advanced Sculpture course at St Martin’s School of Art, London. The magazine was short lived, only two issues were produced between 1960 and 1961 and copies are now very hard to find.
Neil Gall: The Studio – Cover Versions
21 February – 2 September 2018
Reception and the Sculpture Research Library
This display presents seventy of Neil Gall’s collage works in which he cuts into copies of The Studio magazine, plays around with their images and typographies, and adds his own over-drawings to create these ‘cover versions’.
Richard Cockle Lucas: The ‘Book Monument’ and the Art of Self-Memory
14 November 2017 – 11 February 2018
Sculpture Research Library
This display looks at Richard Cockle Lucas’ (1800-83) ‘book monument’, a series of fifty albums and scrapbooks made over the last three decades of the artist’s life and comprising etchings, sketches, nature prints, writings and photography.
Sculpture in the Time of Cholera: William Calder Marshall in Rome 1836-38
28 July – 24 September 2017
Sculpture Research Library
This display explores William Calder Marshall’s time in Rome during the early nineteenth century, an eighteenth-month stay in which he produced a number of sculptures despite the enduring threat of cholera hanging over the city.
Li Yuan-chia and the books of the LYC Museum and Art Gallery
19 May – 27 July 2017
Sculpture Research Library
Li Yuan-chia (1929-94) was a pioneer of abstract art in 1950s Taiwan, and is now considered one of the first Chinese conceptual artists.
Off the Shelf: Artists’ Books in the Henry Moore Institute Research Library
3 March – 30 April 2017
Sculpture Research Library
Display celebrating books that deal with language and exploring the connections artists make between words and sculptural practice.
Modelling Manuals: 1890-1940
3 November 2016 – 3 January 2017
Sculpture Research Library
A selection of manuals on sculpture techniques, published between 1890 and 1940, written by leading sculptors of the period including Gilbert Bayes (1872-1953), Albert Toft (1862-1949), Edouard Lantéri (1848-1917), and Charles Sargeant Jagger (1885-1934).
John Bunting: Sculptural Influences and the Memorial Chapel, Oldstead
25 July – 3 October 2016
Sculpture Research Library
This display looks at the themes of faith, suffering and love in the work of John Bunting (1927-2002).