Rebecca Fortnum: Les Praticiennes
Exhibition at the Henry Moore Institute, Leeds
3 February – 4 June 2023
- This display of new paintings and drawings by artist Rebecca Fortnum emerges from research undertaken during her Henry Moore Institute Research Fellowship into the women surrounding the sculptor Auguste Rodin (1840–1917) in turn-of-the-century Paris.
- A series of Fortnum’s paintings of sculptural works by fifteen women who were associated with Rodin’s studio will be on display.
- Fortnum’s new work shines a light on these often-overlooked sculptors, each of whom has an extraordinary, and in most cases unpublished, life narrative.
This display of paintings, drawings and hand-screened wallpaper by artist Rebecca Fortnum emerges from her ongoing interest in the women surrounding the sculptor Auguste Rodin (1840–1917) in turn-of-the-century Paris.
Fortnum conducted part of her research during her 2021-22 Henry Moore Institute Research Fellowship, which she spent searching for little-known portrait sculptures produced by women who worked in, or visited, Rodin’s Paris studio.
As they were not able to enter the École des Beaux-Arts until 1897, women aspiring to become professional artists often studied at a private academy before apprenticing with a ‘master’, and, for the most part, encountered prejudice
as women working in a male-dominated profession.
Rodin devoted significant time to training women to sculpt, and sometimes went on to employ them in his studio as an assistant or praticienne. As women determined to make art against the odds, each of the artists the Fortnum has selected to make work from has an extraordinary, and in many cases unpublished, life narrative. Through the works in Les Praticiennes, Fortnum seeks to shed light on this
web of friendship, association and influence from all over the globe, including England, Scotland, France, Russia, Germany, America and Finland.
The artists that have provided source material for Fortnum’s works range from the actress and sculptor Sarah Bernhardt (1844-1923), an artist twenty years Rodin’s junior, who was reputedly little admired by the master, to Malvina Hoffman (1885-1966), a pupil and loyal friend of his later years, to whom he sent his wedding photograph the year he died. The others are Kühne Beveridge (1879-1944), Camille Claudel (1864-1943), Hilda Flodin (1877-1958), Sigrid af Forselles (1860-1935), Anna Golubkina (1864-1927), Madeleine Jouvray (1862-1935), Jessie Lipscomb (1861-1952), Ottilie Maclaren Wallace (1875-1947), Bessie Potter Vonnoh (1872-1955), Clara Rilke-Westhoff (1878-1954), Meta Vaux Warrick Fuller (1877-1968), Emilie Jenny Weyl (1855-1934) and Enid Yandell (1869-1934).
Of her paintings, Fortnum states, ‘I’m working from women’s depictions of women (often a friend or peer) with their eyes downcast or closed or looking away. I enjoy the ambiguity implicit in both the signalling of empowered absorption or self-containment alongside a reading of social conformity and female modesty’.
Fortnum’s paintings are based on portraits of women sculpted by women. They are displayed on specially designed, hand-printed wallpaper that, working against the averted or downward gaze of the sitters in the paintings, draws the viewer into its ornamentation and symmetry.
The accompanying drawings, made with dense carbon pencil, are based on portraits of men produced by the women. The images often depict figures close to the artists – partners, teachers, fathers – yet the vast scale of the works makes these encounters confrontational.
Fortnum explains of the works in the display, ‘most of these sculptures now only exist in photographic documents – by painting and drawing them I attempt to exhume them, ruminating on the often-overlooked legacy of women sculptors’.
For further information, images or to arrange a visit please contact
Kara Chatten, Marketing and Communications Manager
Henry Moore Institute
Emily Dodgson, Head of Marketing and Communications
Henry Moore Foundation
Sophie Balfour-Lynn, Senior Account Director
Facebook: Henry Moore Institute
Instagram: Henry Moore Institute
Notes to Editors
About Rebecca Fortnum
Rebecca Fortnum is an artist, writer and academic. She has exhibited paintings at the Freud Museum, London and the Victoria and Albert Museum of Childhood and was Visiting Research Fellow in Creative Arts at Merton College, Oxford, where she developed her painting project, A Mind Weighted with Unpublished Matter, published as a book by Slimvolume in 2020.
Her own books include: Contemporary British Women Artists: In Their Own Words, On Not Knowing: How Artists Think and A Companion to Contemporary Drawing. In 2021–22 she was Senior Research Fellow at the Henry Moore Institute. She has been Professor of Fine Art at the Royal College of Art and Middlesex University, and is currently Professor and Head of the School of Fine Art at The Glasgow School of Art.
About the Henry Moore Institute
The Henry Moore Institute is situated on The Headrow, next to Leeds Art Gallery, in Leeds city centre’s cultural hub, just a five-minute walk from Leeds Station.
We welcome everyone to visit our Galleries, Research Library and Archive of Sculptors’ Papers to experience, study and enjoy sculpture from around the world.
The Institute can be found in the centre of Leeds, the city where Henry Moore (1898-1986) began his training as a sculptor. Our changing programme of historical, modern and contemporary exhibitions and events encourage thinking about what sculpture is, how it is made and the artists who make it.
As part of the Henry Moore Foundation, we are a hub for sculpture, connecting a global network of artists and scholars, continuing research into the art form and ensuring that sculpture is accessible and celebrated by a wide audience.
The Institute turned thirty in April 2023 and is celebrating by shining a light on the past and the future of sculpture in the city.
The long-established partnership of Leeds City Council and the Henry Moore Foundation began with the development of the Sculpture Study Centre in Leeds Art Gallery in 1982 and led to the development of the Henry Moore Institute in 1993. It now represents an unparalleled collaboration in the collection, study and presentation of sculpture. The City Council’s sculpture collection lies at the heart of our work together, and is underpinned by the curatorial and research expertise of the Henry Moore Institute.
Open Tuesday to Sunday, 10:00–17:00
About the Henry Moore Foundation
The Henry Moore Foundation was founded by the artist and his family in 1977 to encourage public appreciation of the visual arts.
Today we support innovative sculpture projects, devise an imaginative programme of exhibitions and research worldwide, and preserve the legacy of Moore himself: one of the great sculptors of the 20th century, who did so much to bring the art form to a wider audience.
We run two venues, in Leeds and Hertfordshire, showing a mix of Moore’s own work and other sculpture.
We also fund a variety of sculpture projects through our Henry Moore Grants and Research programmes and we have a world-class collection of artworks which regularly tour both nationally and internationally.
A registered charity, we award grants to arts organisations around the world, with a mission to bring great sculpture to as many people as possible.