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Henry Moore Studios & Gardens in Hertfordshire is currently closed for winter, reopening in April 2025.

The Henry Moore Institute in Leeds is currently installing new exhibitions. The galleries will reopen from 22 November with The Traumatic Surreal. The library, archive and shop are open as normal.

See & Do

Exhibition

A Kind of Magic: Talismans, Charms and Amulets from The British Museum

Henry Moore Institute, Leeds

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Exploring the shadowy area where magic merges with religion, science, medicine and superstition.

A Kind of Magic brings together objects from the collections of The British Museum that are believed to have had supernatural powers. They were used to protect or to cure, as well as to harm.

The tendency to invest inanimate objects with magical potency is universal. Even in pre-historic times, animal-teeth amulets were worn. Powerful objects might have been worn by the living but were also placed in tombs with the dead. Others were used within buildings, on roofs or placed in the foundations.

Certain pieces were meant to be conspicuous, as if public display assured their power. Other items were used more discretely, hidden about the wearer or even underground, since it was comfort enough just to know these powerful objects were there.

Some items in A Kind of Magic were meant to promote general well-being, such as the Chinese good-luck charm or the medieval gemstone thought to cure backache. Others were specifically used at moments of upheaval or great uncertainty: for example, the St Christophers used by travellers, the Aztec obsidian mirror used to exorcise illnesses, Egyptian amulets that ensured safe passage for the dead and various apotropaic devices used during pregnancy, childbirth and infancy. The exhibition also includes depictions of the mythological figures Medusa, Lamashtu, Pazuzu and Sheela-na Gig, nightmare visions that were used to scare away evil forces.

The magical paraphernalia on show gives physical shape to fears and anxieties. Belief in their power helped make sense of unknown or inexplicable factors and even compensated for the inadequacies of medical practice. But the idea that inanimate objects can be invigorated is also central to the experience of viewing sculpture. A Kind of Magic demonstrates that inert matter can be transformed primarily through the power of the imagination.

Main image: Red jasper ‘thet’-girdle Egyptian amulet, c. 1250-1100 BC. © The Trustees of the British Museum.

Publication

Object Cultures

This publication records more than three years of collaboration between the Henry Moore Institute and the British Museum, which resulted in exhibitions on inscriptions, unidentified objects, masks and magic.

Here curators Stephen Feeke (Henry Moore Institute) and James Putman (The British Museum) introduce the collaboration as a whole, before moving on to more detailed essays on each of the four exhibitions:

The Sculpted Word: Inscriptions from the British Museum
Unidentified Museum Objects: Curiosities from the British Museum
Changing Face: Masks from the British Museum
A Kind of Magic: Talismans, charms and amulets from the British Museum

Buy Object Cultures

Getting here

This exhibition took place in Gallery 4 of the Henry Moore Institute.