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Exhibition

Beyond the Visual

Sculpture Galleries and Study Gallery

Henry Moore Institute, Leeds

Free Entry

Ten individual black-and-white portraits of people holding smooth round white sculptures in their hands, arranged in a 5x2 grid.

For the first time in the Institute’s history, we’re hosting an exhibition of contemporary sculpture designed to be experienced using multiple senses that move beyond the visual.

The exhibition celebrates the work of blind and non-blind artists who challenge the dominance of sight in the making and appreciation of art.

All of the work in the exhibition can be experienced through more than one sense, including through the often-forbidden act of touch. Beyond the Visual proposes that everyone gains from an enriched sensory experience, where accessibility is integral to the creative process. The exhibition will challenge the physical, cultural and societal conventions that usually shape art galleries and exhibitions.

The exhibition will include seven new commissions, plus historical and contemporary work, by sixteen international artists: Lucia Beijlsmit, Lenka Clayton, Fayen d’Evie, Barry Flanagan, Hillary Goidell, Emilie Louise Gossiaux, David Johnson, Jennifer Justice, Georgina Kleege, Aaron McPeake, Sam Metz, Serafina Min, Henry Moore, Bryan Phillips, Collin van Uchelen and Ken Wilder.

Beyond the Visual marks the culmination of a ground-breaking three-year collaborative research project led by Professor Ken Wilder (Professor of Aesthetics, University of the Arts London), Dr Aaron McPeake (artist and Associate Lecturer at Chelsea College of Arts, University of the Arts London) and Dr Clare O’Dowd (Research Curator at Henry Moore Institute), together with Shape Arts, the UK’s leading disability-led arts organisation. The project is the recipient of the Arts and Humanities Research Council’s (AHRC) inaugural Exhibition Fund, a major grant supporting innovative, collaborative exhibition approaches.

The exhibition has been developed in close collaboration with blind and partially blind artists, curators and audiences. All the multi-sensory works will also be audio described, the descriptions generated by an inclusive process where partially blind writer Joseph Rizzo Naudi will collaborate with the artists and curators.

Beyond the Visual will be accompanied by a lively programme of public events and a multi-authored, open-access publication published by UCL Press.

UK Research and Innovation: Arts and Humanities Research Council logo
Chelsea College of Arts, UAL logo
Shape Arts

Research Season

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