Exhibition
Helen Chadwick: Artist, Researcher, Archivist
Leeds Art Gallery, UK
Free Entry

Free Entry
British artist Helen Chadwick (1953-96) became known for works which incorporated sculpture, photography and installation to explore ideas of the self, gender and the body.
Drawing on science, philosophy and art history, among other subjects, Chadwick combined extensive research and experimentation in her production. Her archive, one of the largest and most consulted collections in the Archive of Sculptors’ Papers, provides a unique insight into her modes of working and thinking about art and the crucial role that research played in her practice.
For Chadwick, research involved not only reading but undertaking field trips and using notebooks to formulate her thoughts and ideas. For the autobiographical installation Ego Geometria Sum 1982-83, she read texts on subjects including astronomy, geometry, hypnosis and tarot, in addition to gathering material connected to places of personal significance, such as Greece, her mother’s home country.
The Oval Court 1984-86, part of her exhibition Of Mutability held at the Institute of Contemporary Arts, London in 1986, employed references from sixteenth-century high Renaissance art alongside vanitas still lifes, paintings which used objects to symbolise the transience of life and futility of worldly pleasures. The installation was also testimony to Chadwick’s interest in the ornamental language of eighteenth-century rococo design and architecture.
In the later years of her life, Chadwick increasingly studied scientific literature and cellular biology, utilising scans of her own cells superimposed over images of the Pembrokeshire coast in her Viral Landscapes 1988-89.
Chadwick meticulously collected the materials she used in the research and production of her work, self-archiving her own practice. Her archive contains notebooks, preparatory sketches, test prints, samples, annotated books and articles, as well as source material from her family archive used in her autobiographical works.
In her notebook for Ego Geometria Sum, Chadwick made reference to her ‘personal museum’. Arguably, her archive now takes on the status of just this – forming a record of her modes of working, thinking and making.
Notebooks and sketchbooks
You can browse through digital reproductions of Chadwick’s notebooks and sketchbooks below. They contain detailed research, sketches and ideas, providing a fascinating insight to her early work.
Notebook on early work (1972-75)
Contains detailed ideas and sketches on the development of early works made when Chadwick was a student, including notes on ‘juicy jokes’, ideas for self portraits and sketches of chocolates entitled ‘erotic exotica’.
Further notebook on early work (1975-78)
This notebook continues the detailed ideas and sketches from the first notebook on the development of early works made when Chadwick was a student.
Notebook on ‘Model Institution’ (1980)
This notebook charts the development of ‘Model Institution’, an installation with sound about unemployment that was shown at various venues from 1981-1983.
Notebook on ‘Fine Art / Fine Ale’ (1981)
Covers Chadwick’s Artist in Industry Scheme placement with Yorkshire Arts and John Smith’s brewery around the north of England during 1981.
Notebook on ‘Ego Geometria Sum’ (1981-83)
Contains detailed notes on the ideas, research and development for ‘Ego Geometria Sum’, including how Chadwick approached the subject of her past and memory.
Notebook (1984-92)
Containing notes on various works, such as ‘Of Mutability’, ‘Allegory of Misrule’ and from Chadwick’s commission based in the Pembrokeshire National Park which resulted in ‘Viral Landscapes’.
Notebook (1987-96)
Contains ideas, sketches, technical drawings and notes on the development of works from ‘Lumina’ to ‘Unnatural Selection’, including notes on practical information related to the making of works.
Notebook on ‘Viral Landscapes’ (1988-89)
Technical notes on the making of ‘Viral Landscapes’, mainly relating to the computer program ‘Synervision’ that Chadwick used to construct the work.
Helen Chadwick’s ‘Ego Geometria Sum’: a biography
This issue of Essays on Sculpture publishes Leonie O’Dwyer’s research into creating a critical catalogue raisonné of Chadwick’s works Chadwick.
It focuses on a selection of material relating to the installation ‘Ego Geometria Sum’ of 1982-83, tracing the biography of this influential work that rethought the possibilities of sculpture.
Product details:
Softcover
230 x 170mm
Buy Helen Chadwick’s ‘Ego Geometria Sum’: a biography (No. 64)
About the Archive Gallery
The Archive Gallery is a designated space to explore material from the Archive of Sculptors’ Papers, alongside works from the Leeds Sculpture Collections.
The Archive began in 1982 when the long-standing partnership between the Henry Moore Foundation and Leeds City Council led to the creation of the Henry Moore Centre for the Study of Sculpture within Leeds Art Gallery. The Centre, which was based in what is now the Archive Gallery and Mezzanine, sought to build and develop the existing sculpture collections. It also enabled the acquisition of works on paper, preparatory and archive material that could tell the story of the evolution of sculptural practice in Britain.
Since 1993 the Archive has been based at the Henry Moore Institute. Over the past four decades, it has contributed to numerous research studies, fellowships, publications, artistic interventions and exhibitions around the world. With over 330 collections, this unique research facility contains a wealth of material relating to sculpture in Britain, from the eighteenth century to the present day. The working lives of hundreds of sculptors are captured through photographs, correspondence and sketchbooks, alongside film, digital records and even tools and costumes. The Archive also holds material relating to the businesses and institutions involved in sculptural practice, ranging from foundries to public art commissioners. Together with the related collections of maquettes, models, works on paper and library holdings, it aims to represent sculpture across its different manifestations and forms of production.

Visit the Archive of Sculptors’ Papers
The Archive of Sculptors’ Papers is free to use and welcomes all visitors. It is open Monday to Friday by appointment, 10:00–17:00.
Find out more and plan your visit
Getting here
This exhibition is located in the Archive Gallery in Leeds Art Gallery, which is accessible by crossing the bridge link from the Henry Moore Institute.
Leeds Art Gallery is open Tuesday to Saturday, 10:00–17:00, and Sunday, 11:00–15:00.
Leeds Art Gallery
The Headrow
Leeds
LS1 3AA
United Kingdom
T: 0113 378 5350
E: art.gallery@leeds.gov.uk