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Henry Moore Institute in Leeds will be closed over Christmas from 23 to 26 December and 30 December to 1 January (library and archive closed from 23 December to 1 January).

See & Do

Partner exhibition

Henry Moore and Greece

Gagosian, Athens, Greece

This event has passed

A tall bronze, abstract sculpture standing in the foreground with the famous Athens Acropolis visible on the hill behind.

Opening at Gagosian’s Athens gallery on 12 September, Henry Moore and Greece is the first exhibition of Moore’s work in Greece for twenty years.

Featuring a selection of work spanning Moore’s career, the exhibition illuminates his fascination with ancient Greek art, which he developed during a trip to Greece in a few months before his first retrospective at the Tate, London.

In his early stone and wood carvings, Moore had turned away from classical tradition, deriving inspiration mostly from non-European cultures – for example, African and Mesoamerican art. It was not until the early 1950s, and especially following his 1951 visit to Greece, that his attention became increasingly drawn to Greek art.

Henry Moore and Greece explores links between Moore’s practice and earlier, antique Greek art, such as Cycladic sculpture. The artist made his one and only visit to mainland Greece in 1951 for an exhibition at the Zappeion Hall in Athens, also travelling to the archaeological sites of Delphi, Olympia, and Mycenae. He did not exhibit again in Athens until 1965.

A tall bronze, abstract sculpture standing in the foreground with the famous Athens Acropolis visible on the hill behind.
Henry Moore, 'Standing Figure Knife Edge' 1961. Installed on Philopappos Hill, opposite the Acropolis in Athens for the First International Exhibition of Sculpture, Athens Festival 1965.

“The Acropolis is wonderful – more marvellous than ever I imagined… it’s the greatest thrill I have ever had.”

Henry Moore, 1951

Works in the exhibition

Henry Moore and Greece features 92 sculptures and works on paper spanning Moore’s career.

A key work is Large Standing Figure: Knife Edge (1961), one of Moore’s tallest and most striking post-war bronzes, informed by his interest in Cycladic figurines but at the same time recalling The Winged Victory [or Niké] of Samothrace (c. 200-190 BCE).

The exhibition also includes casts of Draped Reclining Figure (1952-53), Falling Warrior (1956-57), and the heads of King and Queen (1952-53), important sculptures in Moore’s dialogue with Greek art.

 

View list of works in our online catalogue

Getting here

Gagosian Athens

22 Anapiron Polemou Street
Athens 11521

Greece

T:  +30 210 36 40 215
E:  athens@gagosian.com