Henry Moore Institute announce 2024 programme after major refurbishment
After a major refurbishment, the Henry Moore Institute in Leeds, the city where Henry Moore began his training, will reopen in summer 2024 with a diverse programme of sculpture.
Giving a platform to artists who push the boundaries of the art-form, the programme will include the first solo exhibition in a European institution by Hany Armanious, one of Australia’s leading sculptors in Hany Armanious: Stone Soup (12 July – 3 November 2024), and a group exhibition marking the centenary of surrealism, The Traumatic Surreal (22 November 2024 – 16 March 2025). This exhibition will explore the development of surrealist sculptural traditions by post-war women artists in Germany, Austria, Switzerland and Luxembourg including Meret Oppenheim and Birgit Jürgenssen.
Sculpture research remains at the heart of the Institute’s work. Its forthcoming seasons of research events, discussions and conferences will dig deep into current thinking on sculpture with Brâncuşi and Britain (March – June 2024) and Beyond the Visual (October 2024 – March 2025).
Exhibitions in 2024
Hany Armanious: Stone Soup
12 July – 3 November 2024
Henry Moore Institute
Sculpture Galleries
Free admission
The Henry Moore Institute will reopen in July 2024 with an exhibition of work by Hany Armanious, one of Australia’s leading sculptors.
Armanious moved from Egypt to Australia as a child and has spoken of his experiences of a cultural shift, relearning the world though its material language as much as its spoken one. His sculpture practice throws into question any certainty of knowing the world through its things, while unravelling the experience of encountering objects for the very first time.
Starting with modest, found objects from the domestic world, Armanious follows a convoluted process to create duplicates, or ‘distillations’ of these originals, creating a mould and then a near-identical cast of his starting subject. Presented as standalone forms or as accumulations of several different objects, his sculptures toy with the notion of originality and the dependability of the physical world to learn or be a manifestation of truth. In the era of artificial intelligence and deepfakes, this relationship is only ever becoming more unstable. Enduringly playful, Armanious’ works also prod at the legacies of modern painting and sculpture.
This will be Armanious’ first solo, institutional exhibition in Europe and will include work from the last 20 years.
The Traumatic Surreal
22 November 2024 – 16 March 2025
Henry Moore Institute
Sculpture Galleries
Free admission
Marking the centenary of surrealism, this exhibition brings together work made after 1960 through to the present day to explore the radical appropriation and development of surrealist sculptural traditions by post-war women artists in Germany, Austria, Switzerland and Luxembourg.
Co-curated with Professor Patricia Allmer (University of Edinburgh) and based on her book The Traumatic Surreal, the exhibition will bring together works by Meret Oppenheim, Eva Wipf, Birgit Jürgenssen, Renate Bertlmann, Ursula (Schultze-Bluhm), Bady Minck and Pipilotti Rist, to explore their potent and multiple critiques of patriarchy. In their national contexts, patriarchy is closely interwoven with and often represents a continuation of fascism and its historical traumas. Using a variety of surrealist devices and techniques such as found objects, collage and assemblage, their work demonstrates the potential of surrealism to negotiate the impacts and legacies of fascism and Nazism and their long influence over the historically shifting politics of womanhood.
These artists continue surrealist traditions, using the movement’s capacity to challenge conventions and systems of belief while redefining and reconfiguring surrealism in new directions. In a period where women’s rights are under threat across the world, and politics in many places is lurching to the right, an exploration of these powerful critiques of fascism and patriarchy seems especially timely.
Research Seasons in 2024
Brâncuşi and Britain Research Season
March – July 2024
As the Centre Pompidou prepares for an ambitious new exhibition of work by Constantin Brâncuşi (1876-1957), the Henry Moore Foundation is hosting a series of events aimed at re-examining the artist’s relationship with Britain, as well as his ongoing influence on contemporary sculpture.
Brâncuşi is one of the most influential artists of the twentieth century. He was born in the small village of Hobiţa, studied art in Craiova and Bucharest, before leaving his native Romania for Paris in 1904, where he joined the École des Beaux Arts. He remained in Paris, where his sculptural practice flourished and garnered vast acclaim, until his death in 1957.
This research season will encourage emerging and established scholars, and practising artists to reconsider Brâncuşi, his period, and his impact amongst British artists, writers, and thinkers. Events will pose new questions of how artists working today can respond to and challenge Brâncuşi’s legacy, with the aim of revealing fresh insights into his significance within twenty-first-century popular and academic discourses. As well as using a variety of theoretical and methodological approaches to his life and work, the season will consider his exhibition history in Britain and abroad, the complicated reception of his work in Britain, and wider cross-cultural exchanges between Romania, France and Britain.
Events in the research season include:
Artists’ Journey: Tony Cragg on Constantin Brâncuşi
Film screening and Q&A
Hyde Park Picture House, Leeds
19 March 2024
Modern Sculpture, Essence, and Difference: Reflections on the Work of Constantin Brâncuşi
Early Career Conference
Courtauld Gallery
26 April 2024
Lucy Skaer & Hannah Hughes
Artist in-conversation chaired by Rosalind McKever (V&A)
Courtauld Gallery
26 April 2024
Arianne Coulondre & Matthew Gale
Curators in-conversation chaired by Jonathan Vernon
Online
15 May 2024
Brâncuşi, Britain and the Idea of Modern Sculpture
International conference
Henry Moore Studios & Gardens
27 July 2024
This research season has been conceived and organised in collaboration with Dr Alexandra Parigoris (University of Leeds) and Dr Jonathan Vernon (independent).
Beyond the Visual Research Season
October 2024 – March 2025
This research season will explore how contemporary sculpture facilitates sensory engagements with art that go beyond the visual.
The Henry Moore Institute is working in collaboration with Dr Ken Wilder, University of the Arts London (UAL) Reader in Spatial Design and Dr Aaron McPeake, artist and Associate Lecturer at Chelsea College of Arts (UAL) on the Arts and Humanities Research Council’s (AHRC) inaugural Exhibition Fund, a major £250,000 grant supporting innovative, collaborative exhibition approaches. This ground-breaking three-year project will culminate in an exhibition at the Institute in autumn 2025.
Blind and visually impaired audiences are often excluded from exhibitions that focus on visual arts and prevent visitors from touching or interacting with artwork. In investigating the role that non-visual sensory engagements, such as touch, sound, smell, and proprioception, play in the appreciation of artworks. This series of talks, workshops and conferences will explore how other senses can play a role in the experience of art, and the ways in which we might creatively and collaboratively rethink the relationship between artwork and audience. What might blindness bring to debates around sculptural objects, audience engagement and art historical theories of the optical versus the tactile?
Refurbishment
The Institute has been closed since November 2023 for its first significant refurbishment in its thirty-year history. Responding to a growth in audiences, changing visitor expectations of a modern cultural venue and the importance of engagement programming with young people, this development will see the creation of a new multifunctional learning and engagement facility that will host creative workshops, discussions and events and encourage people of all ages to engage with sculpture as learners, thinkers and makers.
Working with Leeds-based Group Ginger architects, the renovations focus on creating more welcoming spaces for visitors. There will be a new meeting point in the entrance, encouraging visitors to stay longer, take a seat and browse the enhanced shop. The ‘alcove’ area on the ground floor will be refreshed so audiences can enjoy free, creative drop-in activities during their visit.
For researchers, an improved Research Library reception on the first floor will have new provision for displays drawn from the library’s special collections. The basement seminar room will continue to host research events, with increased comfort, including natural light, new seating and upgraded technology.
The roof has been replaced and solar panels installed to continue the Institute’s commitment to sustainability and reducing its carbon footprint. As a Grade II listed building there are limitations to what can be done to the exterior of building, despite a long-held desire to improve access. While longer-term ambitions remain in place, this redevelopment has focused on making internal spaces warm, inviting and welcoming.
For media inquiries and more information, please contact:
Kara Chatten, Marketing & Communications Manager
Henry Moore Institute
kara.chatten@henry-moore.org
Emily Dodgson, Head of Marketing & Enterprise
Henry Moore Foundation
emily.dodgson@henry-moore.org
Kitty Malton
Sam Talbot
kitty@sam-talbot.com
Matthew Brown
Sam Talbot
matthew@sam-talbot.com
Listings
Henry Moore Institute, The Headrow, Leeds, LS1 3AH
Free admission
Closed until 12 July 2024, then open Tuesday to Sunday, 10:00–17:00
Twitter: @HMILeeds
Facebook: Henry Moore Institute
Instagram: Henry Moore Institute
YouTube: henrymoore
Notes to Editors
About the Henry Moore Institute
The Henry Moore Institute can be found on The Headrow, next to Leeds Art Gallery, in Leeds city centre’s cultural hub, just a five-minute walk from Leeds Station.
Henry Moore Institute welcomes everyone to visit their Galleries, Research Library and Archive of Sculptors’ Papers to experience, study and enjoy sculpture from around the world. The Institute can be found in the centre of Leeds, the city where Henry Moore (1898-1986) began his training as a sculptor. Their changing programme of historical, modern and contemporary exhibitions and events encourage thinking about what sculpture is, how it is made and the artists who make it.
As part of the Henry Moore Foundation, they are a hub for sculpture, connecting a global network of artists and scholars, continuing research into the art form and ensuring that sculpture is accessible and celebrated by a wide audience.
The Henry Moore Institute is currently closed for the first major refurbishment in its thirty year history. It will reopen in summer 2024 with a new dedicated public engagement workshop, an improved welcome area and Research Library entrance, refreshed activity space and new toilets/baby changing facilities. While the Institute closed, the Archive of Sculptors’ remains open by appointment.
Henry Moore Institute, The Headrow, Leeds, LS1 3AH
0113 2467467
Free admission
Facebook/Instagram: @henrymooreinstitute
Twitter: @HMILeeds
About the Henry Moore Foundation
The Henry Moore Foundation was founded by the artist and his family in 1977 to encourage public appreciation of the visual arts.
Today we support innovative sculpture projects, devise an imaginative programme of exhibitions and research worldwide, and preserve the legacy of Moore himself: one of the great sculptors of the 20th century, who did so much to bring the art form to a wider audience.
We run two venues, in Leeds and Hertfordshire, showing a mix of Moore’s own work and other sculpture.
We also fund a variety of sculpture projects through our Henry Moore Grants and Research programmes and we have a world-class collection of artworks which regularly tour both nationally and internationally.
A registered charity, we award grants to arts organisations around the world, with a mission to bring great sculpture to as many people as possible.